Brittany spaniel
East of the MountainsThe Brittany spaniel appears in the novel through Tristan and Rex, whose contrasting ages and temperaments make them hunting companions with distinct needs rather than interchangeable working dogs. Their presence frames Ben Givens’s routines at home and follows him into the desert, where Rex’s vulnerability forces Ben to act decisively.
Identity and Working Traits
Tristan and Rex are brown-and-white Brittany spaniels, though Rex’s coloring tends more toward bronze. Both have fawn-colored noses, tapering muzzles, eyes set well back in their heads, broad, strong hindquarters, and little feathering on their legs. The description gives the dogs a shared physical type while the narrative distinguishes them through age and behavior.
Tristan was once boundlessly energetic, pursuing birds with what the narration describes as earnest, exuberant good intentions. In his later years, he has become deliberate: less willing to plunge into thorns, more likely to stay close to Ben, and less inclined to range far. Rex, by contrast, is two years old and full of restless motion. When Ben opens the dogs’ run before dawn, Rex leaps against the wire, clutches Ben around the waist, bounds into the rain, and returns; Tristan watches from nearby. Their different responses establish the old dog’s growing restraint and the young dog’s irrepressible energy before either joins Ben on the journey.
Companions in Ben’s Daily Routine and Journey
The dogs are part of the order Ben maintains in the aftermath of his wife’s death. At four in the morning, in the rain, he lets them out of their fenced run beside the summer damask roses she planted. Afterward he coaxes them back inside and feeds them in the kitchen. They lie at his feet while he eats; when he rises, both get up at once and follow him soberly into the bedroom. There, as Ben takes his father’s Winchester from its case, their attention shifts to the gun: they freeze and watch with uncertain curiosity. Their presence makes his preparations visible to them even though they cannot know what he intends.
Ben takes the dogs with him in the 1969 International Scout, with his shotgun and luggage. He urges them to climb into the back, but the confined space leaves Tristan without room to get a running start, so Ben lifts the old dog in himself. Later, after the Scout has crashed, Rex bounds out when Ben lowers the tailgate, while Tristan remains still, sniffing the rain. Ben turns to the older dog, asks if he is still alive, and runs his hands along his flanks before gently holding his muzzle. The exchange shows care expressed through familiar physical contact, amid the disorientation of the wreck.
Once released into the desert, the dogs range ahead and quarter the country as Ben climbs the breaks above the Columbia River. Their movement helps set the pace of his hunt, while Ben, already short of breath, follows uphill and pauses to rest. On the night journey, Rex and Tristan bolt after a coyote; Ben recognizes that they have moved beyond his command and follows them across the prairie. The dogs’ pursuit draws him onward into the encounter with the hounds, making their independent hunting instincts both the source of danger and the reason he cannot simply leave them behind.
The Attack and Its Aftermath
On the night journey, the dogs’ chase of a coyote carries them out of Ben’s sight and beyond his control. He catches only a fleeting glimpse of the animal moving through the sage, uncertain in the moonlit dark whether it is real or a deception of the night. Their barking and pursuit, first signs of their independent hunting drive, become a source of immediate danger when the dogs encounter a pack of hounds.
The hounds knock Rex to the ground and attack him at the hindquarters, with others biting his withers and throat. Ben rushes into their midst and fires a warning into the sky. The pack largely breaks off, but one hound keeps Rex by the throat and shakes him. Ben strikes it with the butt of his shotgun, then kicks it, but cannot make it release the dog. Seeing Rex pinned and struggling to breathe, Ben acts without further deliberation and shoots the hound at close range. The violence that he has resisted since the war becomes, in this instant, a means of trying to save his dog.
Rex is alive but badly hurt. He twists in the dust and tries unsuccessfully to stand; his high, piercing cry sounds to Ben like human suffering. Ben fears that his spine is broken and apologizes to him. The scene gives Rex more than the role of a hunting instrument: his pain and effort to rise command Ben’s attention, while the dog’s dependence makes Ben’s decision urgent and irreversible.
The attack also alters the relationship between the dog and the gun. The Winchester is both the weapon Ben has carried into the desert and the means by which he stops the hound; afterward, the rider who identifies the dead animal as Jim says he will sell Ben’s shotgun to pay for a replacement hound, since he cannot safely leave the weapon with him. Ben protests that this is highway robbery, while admitting he does not know the gun’s worth. The dispute makes Rex’s injury costly in more than physical terms: the shooting brings Ben into conflict with the other man and costs him his family shotgun.
Rex’s value as a working dog remains visible even in the aftermath. Stu Robinson, who says he has kept shorthairs but knows Brittany spaniels make good dogs, kneels beside Rex and describes him as a good quail dog and adequate on pheasant. He offers to put the injured dog in the sleeper of his tractor-trailer so he can ride comfortably. The offer turns attention from the hunt and the argument over the gun toward Rex’s immediate care, while confirming the practical hunting ability that had made him Ben’s companion in the field.
Hunting Instinct and Narrative Significance
In open country, the dogs’ work is visible in small, repeated bursts: they flush sparrows from the sage, and Rex drives them up again as they scatter toward distant cover. Later, the coyote that draws them away is difficult for Ben to distinguish in the darkness; it appears roughly the size and shape of his Brittany spaniels, though its longer muzzle and bottle-shaped tail mark it as different. The fleeting sight leaves him unsure whether he has seen a real animal or a deception of the night, while the dogs pursue without hesitation. These moments give their hunting drive a life beyond Ben’s plans: the same instinct that makes them alert field companions carries them beyond his command, into danger, and draws him after them.